No.19406
Let’s continue!
Previous:
>>7 No.19445
>>19443Downloaded picrel today btw.
Read "Howl" by Ginsberg recently. Cool and relatable - I recall the times when I was a non-conformist leftie teenager surrounded by huge materialist normies. Also reminds me my own experiments with its repetitiveness though I went somewhat further :)
No.19446
>>19414>like a some porn stars suck dicks for the cameraWouldn't that be a lack of enthusiasm, as the actions are ultimately driven for ulterior motive? Never had the makings of a writer.
No.19447 KONTRA
>>19414I am not a person like you at all, thank you very much.
No.19448
>>19446t. expert cocksucker
>>19447like he said you would suck it up, cuck.
No.19454
Martin Stanley – How to be a Civil Servant
Read this in yet another ill-conceived attempt at satisfying my fetish for learning about and partaking in bureaucracy.
I think I actually liked it, though I’m unsure how much or what I got out of it. (But I was comforted reading it.)
It goes into some details about working with ministers, other civil servants and handling situations and so on, but a substantial portion of the book is taken up by managerial self-help advice about talking with stakeholders and empowering coworkers (which the author uses for “Delegating a task with autonomy to make decisions”).
Obviously this is an idealised picture the author is painting. It’s how things “should be”. This leads to a somewhat comical running gag where he’d describe what a civil servant should do, and then goes on to say that “Sadly, too often, civil servants…” and then he basically describes a Yes Minister scene.
Though props to the author that he only made a single Yes Minister reference throughout the entire thing, which I think is good because it’s kind of like writing a book on the Mafia without referencing the Godfather. Easier than it seems, healthier than it looks.
James A. Benn – Tea in China
Some people were hyping it in twitter. Why not I guess, why not read a book on tea?
It’s okay. It’s another one of those “200 page academic books that feel too long despite being really short”.
Full of quotes from primary sources and just like with the Tokugawa book, the author spends way too much time repeating themselves after each source. Essentially it’s too padded. It should be like like a two part study in a journal or something, not a book.
Regardless, there’s a lot of good stuff in it and a lot of work went into it so it’s not a lazy book, it’s just that the format it has is not very suitable to the content.
Worth a flip-through for the chapters that seem interesting to you. But otherwise I wasn’t really going crazy for it. It wasn’t “inspiring”. It’s “one of the books of all time”.
No.19455 KONTRA
>>19446Aha! You are a good student of literature, Ernesto! What you point out, albeit involuntarily, is what makes literature literature among other things - polysemy!
I was thinking of the "hyperbolically enthusiastically slurping a cock and making sounds like it's some grandiose five star food dish that is enjoyed" kind of blowjob porn.
No.20083
>>20054Dixon’s “Man after Man” is also a very fun speculative evolution book if you liked All tomorrows.
The illustrations are reminiscent of old children’s educational books which adds to the appeal imho.
I remember reading it on my phone in the hospital in some Russian pirate website.
No.20084
>>20083Thanks, downloaded!
No.20168
I'm in the middle of a Celinian obsession. After finally finishin "voyage au bout de la nuit". I got into it again after reading that the insults of captain Haddock were very probably taken from the Celine's antisemitic pamphlets. In a way it's hard for me to believe Céline, his dark humor on his percieved darkness of the condition of man, his hallucinations, it feels me with joy and existential revolt. And this only with voyage, I cannot wait to read the rest of his work.
I'm currently in the middle of "Mort à Crédit". The french wikipedia article of the novel redirect to the emetophilia wikipedia article, it's funny. For the time being, his novel's avatar vomited twice on his mother and once on his father.
In the french academic literary canon, he's supposed to be one of the two greatest author of the 20th with Proust, weird century.
https://www.youtube.com/watch?v=2ITjOa-LD74 No.20197
>>20168> In the french academic literary canon, he's supposed to be one of the two greatest author of the 20th with Proust, weird century.What place do Camus and Sartre have in this pantheon?
No.20198
>>20197I may not be a reliable source.
Camus is considered middle school or highschool French class literature. Treating the stranger is almost inevitable at that age, I did an entire 20 page essay on his protagonist when I was 16. Same for Sisyphus, high-school philosophy. I think his international recognition comes first of all because he is so easy to translate.
Sartre, I think people see him more as a public figure and a play writer than an author or a philosopher, even more than Camus. According to Beauvoir he was extremely inspired by Celine and his writing style radically changed once he read « voyage au bout de la nuit ». He’s like a may 68 figure, even if he has not really participated to anything. He’s also read in high school.
No.20199
>>20198No adult (mind) would ever concern themselves with Camus. It's just a different kind of edgy for edgy teenagers than, say, a superficial view on Nietzsche.
No.20200
>>20198> I did an entire 20 page essay on his protagonist when I was 16.That's a lot. Did you study in some lyceum focused on humanities? I don't think that I have ever wrote essay longer than 5 pages.
BTW I decided to study French as 3-rd language few months ago. There is no practical purpose, it's just a hobby. But as a pleasant bonus there are French movies, songs, books, etc without translation. French culture is very rich, after all. That won't be soon obviously, it will probably take 2-3 years at current rate (10-15 minutes of practice per day) to reach a decent level. For now I'm reading translations.
For instance, I've read a fragment about Gavroche by Hugo. Well, it reminds me of Soviet writers. 100% socrealism. Given the timing, it's they who imitated his style.
Balzac - just a few short stories, another kind of propaganda about old regime. It's just some dirt about how priests and nobles were corrupt and lustful and courtesans bossed them around.
"The second sex" - almost a half of the book is done, will write more then it's finished, but for now it strongly reminds me of "Das capital": a huge influential Talmud with historical and other broad overview though prism of narrow ideology (dialectics/existentialism)
Also I've read "The Little Prince". Not sure if this book is actually for kids, more like for adults. But it's ideal for non-native speakers because of its simple language. I hope to reread it in original in few months. Liked it a lot.
No.20211
>>20200> you study in some lyceum focused on humanities?No, I was focusing on mathematics and physics. Swiss public education system is complicated, every canton used to be completely responsible of its educative system up until very recently where some accords among French speaking cantons have been made to uniformise education.To summarize, at ~16yo in Gymnasiums, people are supposed to write and defend an ~20 pages essay about the topic they choose as long as a teacher in the school is ok with helping them on the topic, teachers can also propose specific topics. I chose a humanity related topic just to test something else.
> decided to study French as 3-rd languageGodspeed
>le petit princeMy mother read it to me when I was a kid. I still remember some scenes vividly. I think it’s one of the best selling books in history. It’s still very trendy in Paris…
No.21302
What do you think of EC book club, somewhere in January-February? We choose a book, then by the end of every week we read some part of it and then discuss together.
What books would you like to read and discuss? Fiction or non-fiction, both are possible.
No.21304
>>21302If we manage to pick something reasonably short like under 300 pages or so I'd be down to give it a try.
I've been meaning to start Là-Bas by Huysmans so that would be a suggestion off the top of my head, should be reasonably edgy and EC tier. Though it might be a bit on the longer side (bit over 300 pages), so I'm also open for suggestions.
No.21306
>>21302Obviously Das Kapital by Friedrich Marx and Karl Engels.
No.21310 KONTRA
>>21306You mean A Tőke by Marx Károly and Engels Frigyes.
No.21324
>>21304> If we manage to pick something reasonably short like I agree, something short would be good for the first time.
> I've been meaning to start Là-Bas by HuysmansCool, seems to be a good choice. BTW in one of Houellebecq's books main character dedicates his life to studying Huysmans.
>>21306Oh, I'm finishing de Beauvoir's "Le capital" right now and I'm not ready to start another such book. On the other hand, I wanted to read Chomsky's "How the World Works", it seems to be easier reading.
>>21310What is your favorite Hungarian literature?
I also had thoughts about something ancient. Like "Epic of Gilgamesh" (and sci-pop book about Sumerian mythology). Or some Greek playwrights, such as "Oedipus Rex".
No.21325
>>21324> Or some Greek playwrights, such as "Oedipus Rex".Oh fuck right off, I had to read "Antigone" in school.
Ancients and even the 18th/19th century classics are extremely overrated. There, I said it.
No.21326 KONTRA
>>21325They have classic structures and so on but yeah, I could not be bothered either, it's "too far away"
since it is classic structures it is not, really but probably the language No.21327
>>21325>Oh fuck right off, I had to read "Antigone" in school.Do you think one would be able to follow what's happening on stage in a play without having read it beforehands? I'm considering to buy a ticket since I have to kill some time on my holidays before work starts again.
No.21328
>>21324>BTW in one of Houellebecq's books main character dedicates his life to studying Huysmans.Yeah, that's where I heard about him first. I already read and enjoyed À rebours.
>I also had thoughts about something ancient. Like "Epic of Gilgamesh" (and sci-pop book about Sumerian mythology). Or some Greek playwrights, such as "Oedipus Rex".The two particular examples I read already and wouldn't be super interested, but sth else by the Greeks would be cool imo. Mb a comedy by Aristophanes like Lysistrata rather than a tragedy could convince the haters.
No.21329
>>21325>I had to read "Antigone" in school. I don't remember reading anything of antiquity in school. But before 1917 it was a common thing to study ancient Greek language in gymnasiums.
How widespread is classical education in European counties these days?
https://x.com/malmesburyman/status/1482950095578537984 No.21331
>>21324I'd probably go with something by Márai. "Land.. Land!" is really good. Been meaning to read "Peace in Ithaca" for a while now.
I also like Krasznahorkai but I have not read any of his "major" books. The one with the really long title I'm too lazy to look up right now is my favourite from him. I think I have a really basic taste in Hungarian literature.
My favourite authors are just Arany–Babits–Márai. Poeta doctus authors who wrote for the well-mannered, moderately liberal middle-classes, who, aside from Arany suffered from decades of neglect both under nationalism and communism.
Péter Hajnóczy is also good, he was a massive alcoholic but nothing by him is translated I think. But "Death Rode out from Persia" is an amazing short little book.
>>21325>>21329Antigone is kinda mid, along with Oedipus Rex, but "The Wound of Philoctetes" is really fucking good imho.
2bh there's a lot of stuff I'd like to re-read. Crime and Punishment, No Longer Human...
Speaking of Huysmans, I could never get myself to finish A Rebours for some reason. I tried like three times, and each time I ended up failing to finish it.
No.21332 KONTRA
>>21329>How widespread is classical education in European counties these days?Not very.
Afaik here Greek education peaked in the mid 1800s and then it slowly collapsed during the early 1900s when they first replaced it with reading the authors in translation and then removing it from the curriculum altogether except for select institutions where it was necessary, like priest training seminar schools.
Latin education is semi-common, but then again I have a massive selection bias due to the people I have interacted with over my life.
But the was majority of people do not study Greek or Latin. I myself only studied a year of Latin in college because it was obligatory when I joined up, Greek I took a year of out of curiosity but I have forgotten nearly all of it.
No.21447
>>21379I think with books like these them being "out of date" isn't necessarily a problem.
Their purpose is not to provide you with cutting edge scholarship but to give you a baseline.
For Chinese stuff, Henri Maspero's book on Ancient China is close to a hundred years old if I remember, and he never had access to the amazing archeological finds of the 70s and 80s which gave us new texts and historical records.
But he uses the "traditional" sources masterfully, giving the reader a crash-course on hos the erudite classes of the civilisation experienced their own historical narrative, and that's invaluable.
The "latest" in a field is not going to mean much to people outside a field. It's much better to get a digestible, coherent narrative the "general population" has.
(One day someone will write a new monograph using the new facts and "update" the narrative.)
No.21464
>>21447Haven't heard of Maspero.
I heard Jacques Gernet's
Le monde chinois, originally published in 1972, was a classic introduction. Another book is
Chinas Weg in die Moderne (I don't know the original title) by Jonathan D. Spence. Let's compare the German translation of Gernet with that of Spence: both are thick books of similar height and width, both contain mostly text, and both look like introductions to Chinese history to me; I'm not going to check their prefaces now to confirm whether that is their intended purpose – at any rate, there seems to be much overlap in their scope. But beyond that, the differences pile up: Spence's is much thicker than Gernet's. Gernet's
Suhrkamp Taschenbuch edition is printed in noticeably lower quality than
Chinas Weg in die Moderne that makes the former less pleasant to read. Beyond such superficial differences, I cannot give a fair assessment of Gernet because I found what little I've read to be dull compared to Spence, which was so much more interesting to read as to make up for its more intimidating size, so I didn't bother to finish reading Gernet.
So, had my first introduction to Chinese history been just the
Suhrkamp Taschenbuch translation of Gernet, I don't know if I would have found enough motivation to read enough of it to accept the "baseline" or "narrative" it offers. I found Spence to be much easier "digestible", to use your words.
One thing that may be underrepresented in such introductions are the various "things you can't say", what many people (for example, foreign observers) think but what is rarely deemed fit to print, about a given subject, for example, "Elbonians are dirty", or picrelated. People's (mis-)perceptions of and (non-)interactions with (aspects of) a culture influence each other, yet you'd need months of first-hand experience to learn about them. There are good reasons not to teach about them (so as not to perpetuate prejudice), but for those who do want to learn about them, if you're lucky, introductory texts will quote from a rant to illustrate such things; a shortcut is interaction with people who will speak frankly, and satire, firstly because satire can say things textbooks can't, and secondly because it can employ hyperbole to better get its point across. Satire can give you a good idea of what at least some people find annoying about any given subject that you would otherwise need a lot more personal interaction or experience to arrive at, at least that was my thought when I read some that seemed to sum up months of reading other texts and first-hand experience. Satire can be a shortcut for beginners, or it can invite you to check how well it holds up against your own impressions, no matter the order in which the two came to you.
No.21465
>>21464And of course, satire is not only often more succint, but usually also way more fun to read.
No.21498
>>21497>Falling in love with a female authorHAH, GAYYYYYYYYYYYY
No.21500
Finished Countdown to Zero Day by Zetter. It's about how the US and Israel trying to stop the Iranian nuclear program for atomic weapons with malware. Well written forensic nonfiction but at times it feels a bit bloated. Important for me the role of infrastructure in cyber war. It's 400 pages.
>>21497I heard Weil is cool. Eilenberger wrote a few books on pre WW2 philosophers I think. Sounds interesting but my pile is too big.
No.21547
The Second Sex, by Simone de Beauvoir
I did it. It was not worth it.
In 1949 author voiced views which by now have become default feminist opinion, as well as default normie and default establishment opinion in western countries. So it's a book of great historical interest, if you have this interest. Otherwise it's mostly boring, because after her ideas has been put into practice, they are proven to be either obviously right, either obviously wrong.
That's the main content of the book. Besides that there is an annoying narrow philosophical framework ("immanence", "transcendence", "transcendence through immanence", "immanence in transcendence"), there are quotes from lovely poems about women, and there are funny quotes by different misogynistic thinkers. I've bookmarked them, I'll collect and post this "based compilation" a bit later.
No.21558 KONTRA
>>21547>18+Since when is there an age recommandation on philosophy books? Does Russia do that on a massive scale?
No.21693
>>21691Does it have a monkey boy and a girl and magic clouds?
No.21694
>>21558There is a law that all books should have an eld score, same as movies and games.
No.21695
>>21694Reminds me of buying American Psycho all legal when I was 15 or so.
Wondering how I managed to actually finish it, because its main stylistic device is that it's boring as fuck.
No.21697
>>21693No, this English cover I randomly chose really gives the wrong impression hehe
No.21777
>>21776Where should I start if I want to get into Hesse?
No.21778
>>21777Unterm Rad or Narziß und Goldmund, I'd say. Although I've only read all his major novels and a couple of novellas, so maybe there are more suitable works that I'm missing.
No.21779
>>21778Thanks, that will do.
No.21781
>>21779Just don't start with Siddartha unless you are into far east religions. Personally I liked Roßhalde.
t. other Ernst
No.21783
>>21781Yes, I thought about that. Some of his novels show the mystic and religious influence very obviously, like Siddhartha and Demian. Personally I like those books the best, but I agree it's not the best entry if you're a casual reader.
No.21973
>>21970>Goodnight punpunThat shit fucked me up for good when I read it as a teen. I remember it being really tragic so I wouldn't want to re-read it but it definitely left an impression, also with the way it combines different art styles. I don't really see any particular connection to Houellebecq tho tbh.
As for manga, I've finished Blame! recently, the story is kind of whatever, but the art and worldbuilding are absolute peak dystopian sci-fi. Nobody does this morose architecture and post-human creatures like Tsutomu Nihei.
Started rereading Dorohedoro only to realize I've only read the first few volumes previously. It's strengths are in the mix of a nasty punk aesthetic with some light humor, the central mystery the plot revolves around keeps getting ever more confusing though. Have some nice panels to look at!
No.21979
>>21973Good escapism value, probably. The four samples you attached don't remind me of my daily life, like, at all.
Look back, one-shot by Fujimoto
Second half was too deep for me, otherwise liked it.
No.21987
>>21979>Look back, one-shot by FujimotoI watched the moobie recently and didn't get the hype
No.21993
>>21979>The four samples you attached don't remind me of my daily life, like, at all.What a strange thing to say
>>21987Got to watch it in Tokyo in a theater packed with people from all walks of life from schoolgirls to otaku to middle-aged salarymen and by the end everyone was so moved they were sniffling and struggling to hold back tears. One of the best cinema experiences in my life tbh.
No.22006
>>21777I liked
Unterm Rad a lot, but I think that's all I've read from him, so better listen to this person
>>21778>>21979I should have added that the comic consists mostly of drawings, there is not a lot of text. I don't know what else to say about it.
>>21987>didn't get the hype>>21993>One of the best cinema experiencesQuite the range there.
I didn't know there was a hype before your post. When I started reading the comic, I think I wasn't aware of the film and didn't even realize that
Look back,
Fire Punch and
Chainsaw Man are all by the same person.
No.22014
The disappearing city, by Frank LLoyd Wright
Same as with "Second sex", it's a book which was revolutionary when it was published, but since then it has been put into practice and experimentally checked. Main ideas of his book:
1) Cities will become obsolete in near future as cars, information technology the book was written in 1932, only radio and telegraphs had been invented by then and cheap building materials will allow people to live in countryside and work from there. And people should use this opportunity because in city there are too much people, you have to pay rent and you can't afford to own land. But in countryside you'll be a sovereign decentralized citizen. You'll be independent from landlords, megacorps general motors has entered chat and can grow potatoes on your yard, as every American dreams of.
2) Beautiful houses are for monarchists. Americans are simple democratic people, they don't need that, they need organic architecture of mass manufactured replaceable modules.
LLoyd Wright wasn't the only one to have such ideas. Clifford D. Simak also dreamed of dispersing cities and commuting between personal villas on helicopters. Simak specifically mentions how it helps to reduce damage caused by a nuclear war.
As I understand, these days American progressives hate suburbs and want "walkable cities", while conservatives defend their McMansions. In my personal opinion, American suburbs are bad idea, and LLoyd Wright's buildings are ugly. But unlike him I have a hindsight knowledge. And I liked his writing style: something in between of a grumpy villager's rant and a fierce prophet's sermon.
No.22015 KONTRA
Next 20-th century project I plan to read about is Zionism.
There is Theodor Herzl's "Der Judenstaat" and there are Jabotinsky's booklets.
No.22026
>>22014>American progressives hate suburbs and want "walkable cities", while conservatives defend their McMansionsPretty much. Speaking as a lifelong suburbanite, I see cities as filthy crime filled hellholes and would squat in the woods before living in one. Generally speaking, people who can afford to leave cities do which leaves them populated by poorer demographics. This, ofc, makes cities a political hot button. It's also why mass transit is controversial. Everyone in the suburbs has a car and busses are for cityfolk.
No.22027
>>22026Funny, only ~600 years of
Landflucht and now we already have
Stadtflucht. But I absolutely share your sentiment.
t. been to the big city just this week again
No.22150
Total 858 hours
Moby-Dick – 10.58 hours
The Brothers Karamazov – 13.27 hours
Crime and Punishment – 7.17 hours
Ulysses – 12.17 hours
Lolita – 5.6 hours
Don Quixote – 13.27 hours
Infinite Jest – 26.83 hours
Blood Meridian – 10.42 hours
Gravity's Rainbow – 26.83 hours
Stoner – 6.25 hours
The Stranger – 6.08 hours
Anna Karenina – 14.67 hours
War and Peace – 21.83 hours
The Divine Comedy – 8.33 hours
The Iliad – 5.67 hours
The Odyssey – 6.08 hours
The Catcher in the Rye – 5.6 hours
In Search of Lost Time – 28.33 hours
The Trial – 6.08 hours
The Lord of the Rings – 22.5 hours
The Count of Monte Cristo – 22.5 hours
Brave New World – 6.67 hours
The Master and Margarita – 11.42 hours
The Sound and the Fury – 7.08 hours
The Book of the New Sun – 10.42 hours
The Idiot – 11.42 hours
Paradise Lost – 3.42 hours
The Book of Disquiet – 7.08 hours
East of Eden – 14.42 hours
A Portrait of the Artist as a Young Man – 6.42 hours
The Metamorphosis – 2.25 hours
Hamlet – 2.5 hours
The Recognitions – 18.42 hours
The Magic Mountain – 13.33 hours
Hunger – 5.42 hours
The Picture of Dorian Gray – 5.25 hours
Dune – 16.67 hours
American Psycho – 10.42 hours
Les Miserables – 21.67 hours
The Great Gatsby – 4.67 hours
The Old Man and the Sea – 2.92 hours
Steppenwolf – 6.17 hours
Slaughterhouse-5 – 5.42 hours
Demons – 14.58 hours
Meditations – 2.25 hours
Confessions – 2.5 hours
The Savage Detectives – 15.42 hours
The Sailor Who Fell from Grace with the Sea – 5.42 hours
The Crying of Lot 49 – 4.5 hours
The Hobbit – 6.08 hours
Madame Bovary – 7.08 hours
Absalom, Absalom! – 12.5 hours
Finnegans Wake – 26.67 hours
Dead Souls – 9.67 hours
The Grapes of Wrath – 13.5 hours
Wuthering Heights – 6.42 hours
The Sun Also Rises – 6.08 hours
Invisible Cities – 5.08 hours
The Waves – 8.17 hours
Atomised – 10.42 hours
Frankenstein – 5 hours
1984 – 6.25 hours
One Hundred Years of Solitude – 17.92 hours
Ficciones – 5.58 hours
The Holy Bible – 35 hours
Notes from Underground – 5.42 hours
Catch-22 – 7.42 hours
2666 – 27.92 hours
Dubliners – 3.92 hours
Faust – 7.92 hours
Journey to the End of the Night – 15.42 hours
Siddhartha – 4.42 hours
A Confederacy of Dunces – 12.17 hours
Thus Spoke Zarathustra – 7.58 hours
Mason & Dixon – 21.67 hours
Heart of Darkness – 3.5 hours
Pale Fire – 8.5 hours
V. – 12.5 hours
Trilogy (Beckett) – 16.08 hours
The Republic – 6.5 hours
No.22151
>>22150Now that's assburgering.
How did you record those times? You sitting in front of a book with a stopwatch?